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Lord of the Universe - перевод на итальянский
![Elves]] of [[Middle-earth]].<ref name="Shippey 2005 Beowulf"/>](https://commons.wikimedia.org/wiki/Special:FilePath/Beowulf eotenas ylfe orcneas.jpg?width=200 "Elves]] of [[Middle-earth]].<ref name=\"Shippey 2005 Beowulf\"/>")
!["Welcome to Hobbiton" sign in [[Matamata, New Zealand]], where [[Peter Jackson]]'s film version was shot](https://commons.wikimedia.org/wiki/Special:FilePath/Matamata sign.jpg?width=200 "\"Welcome to Hobbiton\" sign in [[Matamata, New Zealand]], where [[Peter Jackson]]'s film version was shot")
![Tolkien's [[calligraphy]] of the [[Rhyme of the Rings]] was one of the few illustrations in the first edition. It is written in the [[Black Speech]] of [[Mordor]] using the [[Tengwar]] script.](https://commons.wikimedia.org/wiki/Special:FilePath/One Ring inscription.svg?width=200 "Tolkien's [[calligraphy]] of the [[Rhyme of the Rings]] was one of the few illustrations in the first edition. It is written in the [[Black Speech]] of [[Mordor]] using the [[Tengwar]] script.")
![metric]] seen on the left. This visualization can be confusing because it appears as if the universe is expanding into a pre-existing empty space over time. Instead, the expansion created, and continues to create, all of known space and time.](https://commons.wikimedia.org/wiki/Special:FilePath/CMB Timeline300 no WMAP.jpg?width=200 "metric]] seen on the left. This visualization can be confusing because it appears as if the universe is expanding into a pre-existing empty space over time. Instead, the expansion created, and continues to create, all of known space and time.")
![critical density]] (<math>\Omega_m</math>).](https://commons.wikimedia.org/wiki/Special:FilePath/Evolution of the universe.svg?width=200 "critical density]] (<math>\Omega_m</math>).")
![When an object is receding, its light gets stretched ([[redshift]]ed). When the object is approaching, its light gets compressed ([[blueshift]]ed).](https://commons.wikimedia.org/wiki/Special:FilePath/Redshift blueshift.svg?width=200 "When an object is receding, its light gets stretched ([[redshift]]ed). When the object is approaching, its light gets compressed ([[blueshift]]ed).")
.png?width=200 "The diagram depicts the expansion of the universe and the relative observer phenomenon. The blue galaxies have expanded further apart than the white galaxies. When choosing an arbitrary reference point such as the gold galaxy or the red galaxy, the increased distance to other galaxies the further away they are appear the same. This phenomenon of expansion indicates two factors: there is no centralized point in the universe, and that the Milky Way Galaxy is not the center of the universe. The appearance of centrality is due to an observer bias that is equivalent no matter what location an observer sits.")
Определение
Википедия
Lord of the Universe is a 1974 American documentary film about Prem Rawat (at the time known as Guru Maharaj Ji) at an event in November 1973 at the Houston Astrodome called "Millennium '73". Lord of the Universe was first broadcast on PBS on February 2, 1974, and released in VHS format on November 1, 1991. The documentary chronicles Maharaj Ji, his followers and anti-Vietnam War activist Rennie Davis who was a spokesperson of the Divine Light Mission at the time. A counterpoint is presented by Davis' Chicago Seven co-defendant Abbie Hoffman, who appears as a commentator. It includes interviews with several individuals, including followers, ex-followers, a mahatma, a born-again Christian, and a follower of Hare Krishna.
The production team of Top Value Television produced the documentary, using Portapak video cameras. The TVTV team followed Maharaj Ji across the United States over a period of six weeks, and edited a large amount of tape down to the fifty-eight-minute piece. It was the first documentary made on 1⁄2 in (13 mm) video tape broadcast nationally, and also the first independent video documentary shown on national public television.
The documentary was generally well-received, and garnered its TVTV production team the 1974 Alfred I. du Pont/Columbia University Award in Broadcast Journalism. The documentary received a negative review in the New York Post, and positive reviews in The New York Times, The Boston Globe, the Los Angeles Times, and the Chicago Sun-Times. The San Francisco Bay Guardian wrote that the TVTV team had improved since their previous work but wanted them to move on to more challenging subjects.
